If you are seeking a novel that will pump life into your flagging book club, Brodeck by Philippe Claudel, is a gargantuan needle of adrenaline to the heart. It is a powerful allegorical tale with a thousand points of discussion.
In broad strokes, little orphaned Bodeck is brought to an out-of-the-way border town by the forever old gypsy Fedorine. He grows up seemingly accepted in this town of kindly villagers. Recognizing his smarts, they even elect him to be the one young man to get an education and return to serve the town that sponsored him. However, when Brodeck returns, it is on the winds of war and soon the town is occupied by enemy troops. The enemy is generous at first, but when the enemy commander insists that the locals cleanse their village, Brodeck is remembered as an outsider. An Other. Thus, he is shipped to a concentration camp and, sacrificing his dignity for his life, he becomes a Brodeck the Dog.
After the war, the villagers are stunned when Brodeck returns. Though he is a reminder of their past weakness, they allow him to remain among them. After things settle, enter the Anderer. The Other. A flamboyantly dressed imp that, unlike any other visitor, came specifically to their isolated locale. But why they all ask? Different in every way, he quietly paints their portraits and local landscapes. These pictures, like holograms, look very differently at different angles. A benevolently smiling fellow seen from the left is a malevolently sneering fellow from the right. Like windows to the soul, these portraits incite their subjects to murder The Anderer. Brodeck is one of the few villagers whose knife doesn’t stick the Anderer, and seemingly since he is the only educated villager, he is charged to write a report whitewashing the crime.
There is no point summarizing the plot any further. Just know that the book is replete with thought-provoking themes, observations and vignettes. Honestly, some Illuminado would not let the meeting break-up and then would not leave after it did. The book is required reading. Nuff said.
Astrid goes inside to check on the kids and her husband, Thomas, puts down his wine glass and walks out the backyard gate. No note, no obvious reason. Days roll by. No contact, no information. It turns out that Thomas has gone on a Swiss walkabout. Author Peter Stamm leaves a lot for interpretation, but not when it comes to the description the alpine outdoors and the little unseen trails between inhabited places. You will start to notice, and wonder what is in the open space near you. As for Stamm’s actual intent, he likely wants you to wonder about what it would take to make you truly free and/or happy. If the reader uses this book as a jumping off to life altering self-discovery, then the author will be sated. If the reader finds the book monotonous, implausible and owning a wholly unsatisfying ending, then the author will have to be content with the reader’s money.
The North Water is Ian McGuire’s tale about a whaling expedition beginning in Hull and heading up to Jan Mayen Island (think way above Iceland), then around Greenland and into Canada’s Lancaster Sound. Aside from the yucky whaling, it sounds like a picturesque and educational voyage, but with a serial killer for a shipmate and a clandestine insurance fraud scheme in play, this trip into the north waters is anything but a pleasure cruise. Sadly, Hollywood and the media have done such a job on our senses, that the book’s revulsive aspect loses some of its impact because we are inundated with so many killers on TV, in movies and in the news. If Anthony Hopkins had played Drax before Lecter, what a sensation this book would have been.
Although on the Booker Long List, The North Water is more a good yarn, than literature. There’s nothing wrong with that, it was just a bit surprising. The writing is skilled, but is there any reason to analyze Drax or Sumner? Will you feel compelled to contrast Sumner to Drax? Does the author have a message for the reader? Without really chasing it, the answer could be no. You will have to decide…and quickly, it’s a page-turner.
Stunning. A quiet book that reminds you that you’re sh1t. You couldn’t form a thought or a sentence that would be good enough to be page-filler here. Wallace Stegner is Ty Cobb, and almost all the other writers you’re reading now are Little Leaguers. How?
The story is about the friendship struck by two young couples while the husbands taught as Assistant Professors of Literature at the University of Wisconsin. While he has you wrapped in his web, Stegner asks “How do you make a book that anyone will read out of lives as quiet as these? Where are the things that novelists seize upon and readers expect?” Where are the sex, drugs and rock ’n roll needed to keep people’s attention? Does he ask that question in the secure confidence of his genius, or as an archetypal writer wondering if his cogitations will find an audience. Only he knows.
There are several simple set-ups in this modest story that will have readers arguing over the obvious questions. But those arguments can will be rich, and the writing is rich and the experience, for a serious reader is a clear must have. You’ll likely never see the Vermont detailed in Crossing to Safety, even if you live in Vermont. You’ll likely never meet a full-blast Charity Lang, but one wishes we all could. You probably will never possess the wisdom to look back on the beginning of your family, career and friendships as is done here, but take some time to do it. Without that, the wisdom you lay on the nieces, nephews, sons and daughters of the next generation is hooey.
“There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered…” Reading this book is a doorbell. Push it.
Ray is a Tuscaloosa-based ex-Vietnam fighter pilot turned alcoholic doctor of Barry Hannah’s creation. Hannah’s writing is so creative that in the early pages of this short novel you will wonder if you are wasting your time. I’s a legit question, but if you choose to stick it out, you do become accustomed to Hannah’s rhythms and Ray’s nuggets of wisdom. Little snippets of an uneven home life, his well detailed foot fetish, Civil War flashbacks, vigilantism, womanizing and the envy of a redneck neighbor’s gift of poetry, the story bounces, but has its rewards.
For example, after losing the love of his life, and amidst the deterioration of his current relationship, Ray takes a moment to think back about the picture perfect life early on with his first wife…his perfect children and friendly neighbors and thinks “What a release, to look into the past that way I just tried. A petrified log just rolled off my heart.” There are better ones to quote, but again, I neglected to underline.
As there is an equal chance you will hate Ray, this isn’t a pound the table buy. Accumulate.
An informal survey of thousands has uncovered that while people from Connecticut are still called Nutmeggers, Connecticut’s moniker as the Nutmeg State has fallen into disuse. The “Constitution State” entry on the bottom of vehicle license plates has drown out the Nutmeg, so we are jettisoning the Nutmeg as well. Since the preponderance of our brotherhood live close the shores of the mighty Pequonnock River, we are choosing the Pequonnock Iluminado. Pequonnock being the local Native American term for place of slaughter or place of destruction. Manly and apt.
Change is hard, but it can be good. In 1738, our forbearers, the then Hooker Iluminado, named after Colony of Connecticut founder, the Puritan Reverend Thomas Hooker, and not the after the pliers of the world’s oldest profession, booted out an Iluminado slacker who later founded Yale’s Crotonia society. That worked out well for both him and for Yale. Semper Anticus!
This is a well-crafted murder mystery written by Kanae Minato. A middle school girl is plucked out of a circle of friends and becomes the victim of a deadly sexual assault. The surviving schoolgirls blame themselves for losing track of their new, posh friend. Their perceived failure, opens the door to their guilt getting amped-up by the victim’s mother, who demands results from the girls in catching the perp or a penance from each of them for allowing the murder to transpire.
As the girls grow up, they continually imagine their dead friend’s tiger mom judging them, until each girl finally snaps. Hearing of those snaps, the condemning momacita has to confront her complicity in the original crime and lift the curse before more sin adheres to her own conscience.
Whilst it ebbs and wanes, the impact of original sin, the transfer of guilt and the power of unintended consequences make this a good novel. The common paperback is 227-pages and worth reading.
Last night it was back to Brewport to discuss Edgar Cantero’s Scooby Doo/Lovecraft mash Meddling Kids. Those Brewport pulled pork and kimchi pizzas…dang they are good. Great beer list as well, so whatever the verdict, we were happy campers. Mr. Forman, has the jury reached a verdict? Yes, your honor, we have. How do you find the defendant? Not Guilty of being literary fiction, by reason of being a fun book.
In a nutshell, Meddling Kids mirrors the Hanna-Barbera classic with four young protagonists, a dog and a Chevy Vega standing in for the Mystery Machine. The story goes well beyond the bounds of a typical Scooby adventure, getting into the serious occult before flat out horror fiction. There’s no doubt Cantero is a clever writer, using the full bag of tricks and plenty of humor in what is either his second or third language, but he is trying a little too hard. One of our Brothers summed it up best when he said, I feel like the writer just came from a class where they all learned about similes. Like this, like that…crafty ones, but way too many or not properly spaced. They overshadow much of the writing.
That said, there were positives. Treating the Daphne character’s hair as an entity of its own, the state of the Peter character, the lesbian angle and the nods to the original series. A fun read, that doesn’t generate much discussion beyond whether as kids anyone was attracted to the brainy Thelma.
Brother Jason, who picked the book ended the meeting with “And I would have picked a better book, if it hadn’t been for a Good Samaritan and their meddling book recommendation!”
These are the most appreciated books mentioned in this blog during 2017. The books weren’t published in 2017, because then they would be expensive and not on Thriftbooks.
Gold: Disgrace by J.M. Coetzee. Perfect writing. We’d like to imagine it was pounded out on a typewriter that has no corrective tape in one masterful sitting. When Penguin plans to release a 50th Anniversary Edition, if any in-house “genius” offers edit it, the blockhead should be sent to Abu Ghraib for re-education. Not one word can be altered.
Silver: The Fountainhead by Ayn Rand. Too long…yes, but enlightening via illustration. Read it. It will change your perspective on everyone, including you.
Bronze: The Thousand Autumns of Jacob de Zoet by David Mitchell. Some strands of the story aren’t as riveting as others, but at the end you’ll sound like a Saturday morning English Premiere League commentator after a wonder goal struck on the half-volley “Brilliant! Juuuust Brilliant!!!”
Unfortunately, there were a lot of clunkers this year, but a proper shout-out for Absurdistan, Fahrenheit 451, An Actor Prepares (Short Story) and The Dead Mountaineer’s Inn, each of which stand out from the mostly bombs we read this year. If you want to read more detailed reviews, click on the word “Home” & scroll down. Happy Festivus.
John Williams goes deep in his tale of farm boy turned English professor, William Stoner. As a professor himself, Williams may be mixing in quite a bit of non-fiction to achieve a reality literary fiction experience. He may also be thinking the life (his) worth living thoughts.
In the book’s beginning has a summation of Stoner’s life that describes him as a nobody. An Aggie turned middling professor that nobody would bother to remember. That description does haunt you throughout the book, as Stoner is actually a zealot about his craft. He goes so far as to intellectually assassinate a Ph.D candidate who is the pet of the new Department chairman. His integrity sentences him to the loss of cherished upperclassman studies and a decades long condemnation into sophomoric general studies. He does a fine job with standard text among the indifferent, but eventually realizes he must soar. He pulls a Dead Poet’s Society move and chucks the syllabus text book in favor of more breathtaking alternatives. There is outrage, but his student’s flourish measurably.
This is a surprisingly passionate read. Except for an extramarital affair, it’s a pretty quiet…almost. Big Ups to John Williams. He does accomplish something that many writers cannot. He is able to change the mood of the reader. When Stoner is up against his antagonists, if you put the book down at the wrong time, you may be going to Happy Hour fuming. Williams also leaves you wanting more of the late Dave Masters insight. You’ll like the book. Not overtly philosophical, but thoughtful.